Work · Jean-Jacques Rousseau

Dictionary of Music

Entries cover notation, composition, performance, and musical history. Rousseau often defends melody’s expressive primacy and disputes Rameau’s harmonic theories. The work joins practical knowledge to an account of music, language, and feeling.

01 / Context & transmission

Understanding the text

It revises work originally undertaken for the Encyclopédie. Alphabetical arrangement contains debates extending across entries.

Theoretical, technical, and polemical dictionary. It revises work originally undertaken for the Encyclopédie. Alphabetical arrangement contains debates extending across entries.

02 / Key points

Key points

  1. 01

    Defining to dispute

    Definitions are not invariably neutral: they involve theoretical choices.

  2. 02

    Melody and harmony

    The debate concerns principles explaining music’s expressive force.

  3. 03

    Practice and theory

    Notation and performance show music as an art learned, transmitted, and interpreted.

03 / How to read it

How to read it

Follow one concept across entries and compare definitions with the Letter on French Music.

04 / Editions & sources

Editions & sources

Summaries and key points are original editorial interpretations. They accompany reading the work and do not replace an edition of the text. Editorial method ↗

Continue exploring the texts
1781

Essay on the Origin of Languages

1765 / 1861

Constitutional Project for Corsica

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