She Came to Stay
Beauvoir's first published novel, written before and during the war; autobiographical materials become fictional construction.
Explore this workVisit the source(new tab)Freedom is built with others.
Works, testimonies and further readings are distinguished. Dates refer to composition or first publication, as specified in each entry.
Catalogue of essays, novels, theater, travel writing and memoir volumes, with major posthumous editions and correspondence collections. The two volumes of The Second Sex and multipart memoirs remain grouped under their collective titles. Reissued extracts are not counted as new books. An inventory of every letter and all scattered articles still requires verified edition tables and archival catalogues.
Explore letters and fragmentsBeauvoir's first published novel, written before and during the war; autobiographical materials become fictional construction.
Explore this workVisit the source(new tab)Her first published philosophical essay prepares the ethics of ambiguity through questions of action and other people.
Explore this workVisit the source(new tab)Set amid social conflict and the Occupation, published at the Liberation.
Explore this workVisit the source(new tab)Beauvoir's only published play, first staged in 1945, relocates postwar questions of sacrifice and solidarity to a besieged city.
Explore this workVisit the source(new tab)The novel makes immortality a philosophical experiment about limits, time and the value of action.
Explore this workVisit the source(new tab)This postwar essay develops her own response to responsibility and violence in dialogue with existentialism.
Explore this workVisit the source(new tab)The narrative reshapes travel experience and records a visitor's position, including discoveries and limitations.
Explore this workVisit the source(new tab)A collection of interventions from the 1940s, shaped by postwar intellectual controversy.
Explore this workVisit the source(new tab)Facts and Myths and Lived Experience appeared in 1949. Translation history matters: some older editions abridge or distort philosophical concepts.
Explore this workVisit the source(new tab)Winner of the 1954 Prix Goncourt; biographical resemblance does not make the novel a transparent transcript.
Explore this workVisit the source(new tab)It gathers previously published texts; Must We Burn Sade? also circulates extensively on its own.
Explore this workVisit the source(new tab)The essay belongs to the controlled visits and political expectations of its period; its judgments have drawn strong criticism.
Explore this workVisit the source(new tab)The first memoir volume is written by an author who already knows her later life; that knowledge shapes the narrative.
Explore this workVisit the source(new tab)It retrospectively examines the shift from confidence in individual independence toward a more historical consciousness.
Explore this workVisit the source(new tab)A work by Gisèle Halimi and Simone de Beauvoir, including testimony and contributions, published during the Algerian War.
Explore this workVisit the source(new tab)Published in two parts, it links reception of books, travel, relationships and political conflicts.
Explore this workVisit the source(new tab)This brief narrative turns intimate experience into an inquiry about mortality and care.
Explore this workVisit the source(new tab)The novel examines 1960s French modernization through advertising, consumption and family relationships.
Explore this workVisit the source(new tab)Narrative, monologue and diary offer different access to personal blindness.
Explore this workVisit the source(new tab)The extensive inquiry extends The Second Sex's method to a frequently marginalized category.
Explore this workVisit the source(new tab)This final major memoir volume extends earlier ones without presenting a life as definitively closed.
Explore this workVisit the source(new tab)Beauvoir's first fiction collection was rejected before the war and published over forty years after composition.
Explore this workVisit the source(new tab)The book combines Beauvoir's testimony with Sartre's conversational voice; the two parts have different documentary status.
Explore this workVisit the source(new tab)Posthumously edited by Sylvie Le Bon de Beauvoir; editorial choices and Sartre's replies remain relevant.
Explore this workVisit the source(new tab)A contemporary document published posthumously, distinct from later reconstruction in the memoirs.
Explore this workVisit the source(new tab)Written mainly in English, the letters appeared posthumously through an edited publication; the French edition involves translation.
Explore this workVisit the source(new tab)A posthumous edition of a two-voice correspondence, distinct from Beauvoir's outgoing letters alone.
Explore this workVisit the source(new tab)Posthumously edited by Sylvie Le Bon de Beauvoir; their content predates the first published works.
Explore this workVisit the source(new tab)Written in the 1960s, published posthumously in a journal in 1992 and separately in 2013.
Explore this workVisit the source(new tab)Written in 1954, left unpublished by Beauvoir and issued in 2020; the novel transforms her relationship with Zaza into fiction.
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